Specialized in picture that people move

Where Philanthropy and Moviemaking meet; Richard William Wallace

has decided to invent the ways and means to devise new forms of
philanthropy, by merging his love of movie production with
philanthropy.

Walt Disney: "We don't make movies to make money, we make money
to make more movies."

Richard Wallace: "We make movies to make money to make more
movies to give it away through filmanthropy!"

There are plenty of feel good movie scripts available like
Slumdog Millionaire that can be made for peanuts and earn
millions.

Philanthropy derives from Ancient Greek, meaning "to love
people". Richard Wallace loves poor children and the elderly. In
his travels around the world he has seen the people's needs up
close and personal, inspiring him to use his talents and get
involved. He personally supports poor families in the Caribbean
and other parts of the world. He is completely raising a 4 year
old child who calls him grandfather and he considers her to be
his real grand child!

There are endless ways to support philanthropy with
Filmanthropy. Sir Richard Wallace explained to me that it is not
that difficult to weave in a philanthropic cause into a Titantic
script; Whether it be for fine arts, performing arts, religious,
or humanitarian causes. Filmanthropy is a powerful way to meet
public needs and a meaningful way to express private beliefs and
commitments.

The movie making business has never been an easy one to get into
until now. Mega Hit Films Inc. doors are wide open to fellow
Philanthropists. By partnering with fellow Philanthropists from
around the world our movies will truly make a difference. We
plan to make films that their legacy will live on while making
cash available to thousands of charities around the world. Even
the silent films live on today thanks to the efforts of Martin
Scorsese and his friends Steven Spielberg, George Lucas, Francis
Coppola, Woody Allen, Robert Redford, Stanley Kubrick and Sydney
Pollack who started the Film Foundation restoring silent films
for us and future generations to enjoy; Just one example of
public philanthropic benefits from Filmanthropy.

The movie investment kills several birds with one stone by
allowing our philanthropic investors to get involved in the
business at what ever level that they prefer, getting behind the
camera or in front of it; To putting family members or
themselves in the movie, hanging out with the stars, or just
showing up at the red carpet movie premier and seeing their name
as the producer in the credits.

The company, Mega Hit Films Inc.; located in Burbank the
business capitol of Hollywood, California represents independent
filmmakers from all over the world.

Richard Wallace specializes in raising money for films. The need
has been more pressing with bank and Hedge fund money having
dried up for independent filmmakers. Over the years, Mr. Wallace
has acquainted himself with private investors from around the
world, many who are no longer concerned with how to make a buck
but who are more concerned in how to give it away where we all
get more bang out of the Filmanthropy causes closest to our
hearts.

Wallpapers can make people more know to film and TV

sometime we work hard to find website where you can find really
great wallpapers of Bollywood celebrity and Hollywood celebrity.

Wallpaper, using the printmaking technique of woodcut, gained popularity in Renaissance Europe amongst the emerging gentry. The elite of society were accustomed to hanging large tapestries on the walls of their homes, a tradition from the Middle Ages. These tapestries added colour to the room as well as providing an insulating layer between the stone walls and the room, thus retaining heat in the room. However, tapestries were extremely expensive and so only the very rich could afford them. Less well-off members of the elite, unable to buy tapestries due either to prices or wars preventing international trade, turned to wallpaper to brighten up their rooms.

Early wallpaper featured scenes similar to those depicted on tapestries, and large sheets of the paper were sometimes hung loose on the walls, in the style of tapestries, and sometimes pasted as today. Prints were very often pasted to walls, instead of being framed and hung, and the largest sizes of prints, which came in several sheets, were probably mainly intended to be pasted to walls. Some important artists made such pieces, notably Albrecht Dürer, who worked on both large picture prints and also ornament prints intended for wall-hanging. The largest picture print was The Triumphal Arch commissioned by the Holy Roman Emperor Maximilian I and completed in 1515. This measured a colossal 3.57 by 2.95 metres, made up of 192 sheets, and was printed in a first edition of 700 copies, intended to be hung in palaces and, in particular, town halls, after hand-colouring.

Very few samples of the earliest repeating pattern wallpapers survive, but there are a large number of old master prints, often in engraving of repeating or repeatable decorative patterns. These are called ornament prints and were intended as models for wallpaper makers, among other uses.

England and France were leaders in European wallpaper manufacturing. Among the earliest known samples is one found on a wall comes from England and is printed on the back of a London proclamation of 1509. It became very popular in England following Henry VIII's excommunication from the Catholic Church - English aristocrats had always imported tapestries from Flanders and Arras, but Henry VIII's split with the Catholic Church had resulted in a fall in trade with Europe. Without any tapestry manufacturers in England, English gentry and aristocracy alike turned to wallpaper.